Influencer marketing isn’t new. Remember Joe Namath in pantyhose? (If you don’t Google it)
But what is new is that anyone can harness the power of the internet and attract and monetize an audience. The value to our clients in that new twist is that there is an influencer for any subject, budget, or audience.
This is an area where many agencies are crushing their financial goals. But if done wrong – you can lose your shirt. That’s why I knew we needed to talk to Shane Barker.
Getting to the tactical heart of effective and profitable influencer marketing is what episode #199 is all about. My guest is Shane Barker, who has been doing influencer marketing since before the term was even coined. We talk about finding the right person, the proverbial needle in the influencer haystack, and how to determine the real reach of that individual who calls him/herself an influencer.
Maybe you or your clients are still questioning the ROI of influencer marketing. Shane and I discuss how to do it right from start to finish, so you and your clients get the most bang for your influencer buck.
From working with agencies and brands on influencer strategy and with celebrities on digital reputation management, to obtaining a #1 national ranking with PROskore as a social media consultant, Shane has built an impressive list of accomplishments. As a regular contributor to publications like Salesforce, Yahoo Small Business, Marketing Profs and others, he continues to grow and share his knowledge.
What You Will Learn in this Episode:
- How to vet influencers so you and clients get what you pay for
- Why you should interview influencers to find the right fit beyond the metrics
- How to A/B test in influencer marketing
- What goes into developing a solid influencer marketing strategy
- How to be the best choice for the influencers you want to work with
- Developing Scope of Work terms with an influencer
- The best tools to use to start your influencer search
- How to fine-tune your influencer search with the “eyeball test”
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Ways to Contact Shane Barker:
Are you tired of feeling like the lonely light housekeeper as you run your agency, welcome to the Agency Management Institute Community, where you’ll learn how to grow and scale your business, attract and retain the best talents, make more money and keep more of what you make. The Build a Better Agency podcast is now in our third year of sharing insights and how small to midsize agencies survive and thrive in today’s market. Bringing his 25 plus years of experience as both an agency owner and agency consultant, please welcome your host, Drew McLellan.
Hey, everybody Drew McLellan, here with another episode of Build a Better Agency. Thanks for coming back if you are a regular listener and welcome if this is your first foray into the podcast. I’m glad to have you. Before I tell you a little bit about this week’s guest and the topic, which I think you’re going to find fascinating. I want to just give you a big heads up. So, hopefully, a lot of you are on our weekly newsletter list, or we are connected on social somewhere, whether it’s Twitter or Facebook or LinkedIn, wherever it may be. And so, hopefully in some venue where we communicate, you have seen that we have announced AMI is going to start an annual conference for small to mid-sized agencies. There is no conference out there really for true small to mid-sized agency. I’m talking agencies that have 4 people or 8 people or 10 people or 50 people, or even 100 people.
That’s a big agency at least in the U.S., and the U.S. the average agency has 8 people. And so, there’s really no conference for us, and there’s no conference about how we run our business better. And so, AMI, after several years of thinking about it and planning for it, we are stepping out into the conference space and we are launching our inaugural conference. The inaugural Build a Better Agency summit will be in May 19th and 20th in Chicago… 19th and 20th, 2020. So, depending on when you’re listening to this, I don’t want you to get confused. Anyway, it’s going to be a great two days, and we have some amazing speakers who are going to talk to you about how they built their agency, how they sold their agency, all the different revenue streams that they get from their agency.
We’re going to talk about exit strategies. We’re going to talk about valuations for your agency. We’re going to talk about finding a buyer or being a buyer of an agency, if that’s part of your growth strategy, all kinds of topics. If you want to know more about the conference, head over to agencymanagementinstitute.com and up in the main nav, you’re going to see BABA or Build a Better Agency Summit. Click on that link and you can start looking at who the keynote speakers are. And you’re going to recognize all the names. There are amazing speakers who are talking about things that they have never publicly talked about before. That is, money and selling their business and revenue streams and all kinds of other things. So, head over there and check it out. A couple things to note, if you’re listening to this in real time, so if it’s July or August of 2019, you are in a great spot because we are still in launch price mode.
So, this is as inexpensive as the conference is going to get. So, grab a ticket now, while you can and that way you’re all locked in. The other thing you need to know is we have a finite number of seats. So, we are going to be capped at a few hundred attendees. And once we get to that cap, I can’t sell any more tickets. We don’t have room in the venue. So, grab them early, bring your leadership team. There’s discounts for multiple people coming. And again, I’m super excited about the content. I think we are just going to be learning. And as always at AMI, we’re going to be learning. We’re going to be laughing. It’s going to be a little bit of therapy.
It’s going to be some support. It’s going to be exploration and innovation. All of those things, all wrapped in two days. Oh, and we’re going to be drinking and throwing darts. So, really what more could we pack into the two days? I hope you can join us in Chicago. I know it seems super far away, but actually it’s not. So, grab your ticket, lock yourself in and plan on being in Chicago in May of 2020. A couple of other housekeeping notes. We have some amazing workshops coming up in the fall and winter. So, you’re going to want to check those out on the website as well. I’ll tell you more about those in the episodes to come, but you might want to check those out before they sell out. And as always, if you are going to leave a rating and review for the podcast, please make sure you take a screenshot and you send it to me at [email protected] so that we can put you in a drawing for either a seat in one of our live workshops or in our on-demand courses.
So, those all retail out at around 1800 bucks. So, we’re happy to give that away. We give one away every month and I would love for you to be a winner. So, remember, we can’t enter you in the drawing if we don’t have the screenshot, because in many cases, your screen name doesn’t tell me really who you are. And it certainly doesn’t give me your email address. So, if you would do that, that would be lovely. All right, enough announcements. Let me get to the episode. So, in today’s world, there is not an agency on the planet that is not thinking about, talking about delivering… Considering delivering influencer marketing. And we know that it is not only a trend in our industry, but a really effective marketing strategy. And it’s not new. We’re just calling it something new but it’s been around forever, but some statistics have just come out that I think are really interesting.
So, Edelman, the global agency Edelman for, I don’t know, over 20 years, I think, has put out an annual report that they call the Trust Barometer. And what it does is it gathers data about… Influencers is a new category, but it asks the participants in the research who they trust, what they trust and where they place their trust. And in this year, in the 2019 report, they also added some really interesting questions about influencer marketing and how trustworthy that is and the details and the results are fascinating. So, I’m going to suggest that you download it. And if you actually go to the Agency Management Institute website, and if you search in the search bar for Edelman Trust Barometer, you’re going to find a blog post where I posted all of those reports because they’re free downloads. So, they had executive summary, the whole data, and then also, a look at some very drilled down specifics in the US.
But they’ve talked to over 33,000 people. And so, certainly a huge set. 27 countries participated. And some of the things that I think are most interesting around what they learned from that study is all related to influencer marketing, for example, the people that we as consumers trust the most are people like us. So, we are more and more skeptical of paid advertising, even though we know influencers are paid, for some reason, because they look like us and they are interested in the same things that we are. We feel a kinship with them, and we trust them more than any other category. We find a person who is like me to be either credible or very credible. And we see that in ratings and reviews and other places as well, but it’s also in influencer marketing.
The other thing that I thought was really interesting about this specific influencer data is that people are getting smarter about influencers. And so, it’s not about how many people you have following you. It’s not about how big of a celebrity you are. It’s really about how relatable are you. So, if I feel like you’re more of a real person and I can relate to you, my trust is higher in you than it is with somebody with 50 million followers who I see as a popular influencer, but I have no connection to. And the other part that I thought was really interesting because I’m nagging at you all the time to niche, niche, niche, and narrow down and be a subject matter expert. One of the things that I found heartening was even more than how much the respondents trusted people like them are the trust that they put in subject matter experts.
So, again, if you can take that authority position of the category or the audience or the problem you solve, whatever that is, go back and listen to my solo cast about positioning and niching, but understand that, that, by its very default, makes you trustworthy and more trustworthy means easier to sell, quicker to sell and all of those things. So, influencer marketing’s not going away. If anything, its power and its influence is growing as the marketplace gets more skeptical and more crowded. And so, that’s why I wanted to have this week’s guest on the show.
So, Shane Barker has been a digital marketer for a long time, but he has been dabbling in and then really perfecting the art of influencer marketing for much longer than the term has actually even been coined. He teaches courses about it at the college level, he’s putting together some online courses. And so, what I really want to do in this episode is I really want to pick his brain about how we as agencies are doing influencer marketing well and where we need to improve to really be able to deliver the results that our clients are looking for. So, with that, let’s just jump into the conversation and go. Shane, welcome to the podcast. So, without further ado, let’s jump into the conversation. Shane, welcome to the podcast.
Hey drew, thanks for having me, man. I’m excited about the interview today.
Why don’t you tell the listeners how you came to have an expertise in influencer marketing, and then we’re going to spend some time… I know that a lot of times you either get clients or talk to clients who have had less than stellar results when they’ve worked with agencies. So, I want to talk about some of the mistakes agencies make and how they can fix those mistakes, but first give us a little bit of background.
Yeah. So, I’ve been in the digital space… I don’t want to say the true number because it’s been a crazy amount of time. It’s been almost 25 years at this point that I’ve been in the digital space. And then influencer marketing kind of found me, probably about seven or eight years ago. I had a client [inaudible 00:10:58] at client that time but they reached out to me and said, “Hey, we need some social media marketing.” And she was a fitness influencer on Instagram. And then I said, “Okay.” So, I was kind of looking at her stuff and she was selling fitness programs and I really couldn’t imagine myself doing anything that had to do with fitness because it was a pretty saturated industry, you know, push up was a push-up. At that point, I wasn’t too interested in it.
But I said, “Well, let’s just do a call and see what you’ve got going on.” And so, I jumped on a call with her. She had three programs, one of them was called Get a Better Booty. So, I think we understand the premise of what that program was. I don’t need give heavy detail into that one. And her thing was that she used to be a runner, so she really didn’t have any crazy body. And then she quit running and she started doing the squats and all this other fun stuff. And everybody saw that transition from no booty to big booty. And so, all the girls love those before and after pictures, “Hey, that’s me today. This is me potentially if I do Zoe’s program.” And so, I just was this call with her and she said, “My best program is Build a Better Booty and I’ve sold like… She goes, “Maybe 10,000 copies.” And she really wasn’t that impressed with that.
It’s just maybe like 10,000. And I’m like, “10,000 times $20.” I’m like, “That’s $200,000.” And I’m like, “Well, what about your sexy legs?” And she goes, “Yeah, that one’s even worse, it’s only 5,000.” And I’m like, “Times $20. That’s another a hundred thousand.” And then I go, “What about your sexy arms?” And she goes, “Yeah, that one’s like maybe 5,000 as well.” So, I’m like, “This girl is 22 years old making $400,000 a year and she’s blowing it off like I’m doing okay. Like I can afford to pay rent this month.” And I’m like, “She’s like making 30 plus thousand dollars a month by herself.” She was producing all of her own content. She had a few people helping with the website and stuff. And I just said… Honestly, I didn’t believe it at first.
I was like, “Okay, I need to look into this a little bit because this feels like a little fishy.” Like I had lead magnets on my website. I couldn’t even get a free email address or a name for that sake. Because, yes, she can’t keep these things off the shelves, they’re like selling out. I mean, they are [inaudible 00:12:50], so they’re not really selling out, but the idea is that she [crosstalk 00:12:52]. So, to me, it blew me away. So, I just said, “Okay, I’ve got to look into this thing.” And it was all influencer marketing. We had started selling [inaudible 00:12:59] before as even [inaudible 00:13:00] influencer marketing, we were just finding fitness influencers that would be willing to either take her program or talk about Zoe’s success before with her before and after pictures.
And we just did tons of different stuff. We spent probably $400,000 not even do an ad platform, I was paying everybody through PayPal. There was negotiations. We didn’t have a software to go look people up. We were using this thing called an Excel spreadsheet in case your audience knows what that is. It’s really old school, but we used it. So, there was all this stuff that we did just, once again, to negotiate with influencers and build this thing out. We tried to do SEO. We tried to do PPC. We tried all these different things and 99% of our business was sold through Instagram. And so, we redid our website. We redid her lead magnets, we redid her programs or logo like we redid everything.
Revamped, and we got her to about 1.4 million in less than a year. So, she was clearing… No, 1.6 million, excuse me. She was clearing a million dollars herself in a year’s time selling fitness influencer eBooks on Instagram. So, that’s how I jumped into space. And ever since then, it just has taken off. I teach at UCLA. I have a personal brand in How to Be an Influencer course that I teach there, every quarter. And it’s just kind of catapulted itself to where we’re at today.
So, for you, for the most part is your work working with the actual influencer on how to be a good partner to a brand or to an agency and their client, the brand, you come at it from that perspective, right?
Actually, I come from both perspectives. So, the class that UCLA is actually a two part course, one is for influencers, how to work with brands. And the other one is for brands, how to work with influencers. So, these days, I spend a lot of time on education. Like, I just did a workshop at the Influencer Marketing Conference & Expo in Los Angeles at the Staples Center. It’s about a three hour workshop. And what I did is that was mainly for brands, how to work with influencers. And so, I do personal training for brands.
So, brands can either bring me into their office or I can [inaudible 00:14:59] agencies as well. So, “Hey, listen, these are the campaigns that we’ve done. What are we doing wrong? How can we improve these things?” And then I have a course that’s coming out on howtobeaninfluencer.com that actually we teach influencers, once again, how to get a website set up, how to get their media kit set up, how to get all this stuff together so that when you go to pitch Nike, you’re not [email protected] because they’re probably not going to respond to that. It’s like just your own personal brand. So, I do both sides of it. So, it’s kind of interesting.
So, one of the things that’s interesting to me about influencer marketing, which of course has been around forever. It just has a new label to it and now it’s got new technology around it. So, it’s used in a lot of ways. I remember Joe Namath pushing legs, pantyhose early, early influencer marketing. So, one of the things I worry about on behalf of my own agency and all the agencies out there is there are so many people claiming to be an influencer, how do I vet influencers properly? And how do I know that they are what they say they are and that they can deliver what they’re promising for the partnership [inaudible 00:16:15]
Yeah. The biggest thing is that really influencers it’s kind of funny. So, like the actual word influencer and influencer marketing is actually now in the dictionary. So, I don’t know if that makes it official.
Yeah. I mean, I’m assuming at that point, then somebody believes it. Some of the higher ups when it comes to the dictionaries, believe it. So, the thing is influence is different for different people. What I mean by that is that originally it was, what is your follower count? So, if you had 50,000 or 100,000 people on Instagram, then you’re an influencer. It was a number thing. And for me, one of the biggest problems with agencies and with brands as well it’s they look at those numbers. That’s one of the variables that you look at is like their follower count.
It shouldn’t be the number one thing that you look at. And they were also paying based on the follower count, which is another issue. Because then you jump into influencers getting fake followers because they want to make it to the next tier pricing. You’re saying, “Hey, if get to this, I’ll give you 5,000. But if you get up to this, I’ll give you 15.” What are you going to do? You’ll be like, “Well, how do I get to 50,000? Well, I’ve got to accelerate this thing.” It took me a year to get to this point and it can take me three months to get to the next level and then there we go. So, if brands and agencies will look at numbers as just a variable, what you really need to look at is like the overall engagement and the sediment of the influencer’s profile. So, what it comes down to the other big question that we always get is like, what do I pay an influencer?
So, what you have to think about is, you look at the influencer’s profile, it looks like there’s some good engagement. I’ll give you the example, I always use like a yoga mat, let say. And so, you’re a brand, you sell this yoga mat and you want to work with a yoga influencer. You go to their profile, you see all kinds of yoga stuff. He or she does every morning. They have a good following. They’re getting whatever the amount of likes per picture. You see some good engagement, “Hey, Jennifer, it looks awesome that you’re doing your yoga,” blah, blah, blah. “But I’ve noticed your outfit. And I was wondering, where did you pick that up at? Or where did you get that from? Or I saw that you were doing on this new yoga mat. It looks a lot thicker. Is there a reason why you’re using the thicker yoga mat?”
Like people are engaging with the conversation and you want the influencer to engage back. “Hey Michelle, once again, thank you so much for reaching out. Yeah. This new yoga mat we found out that it’s sticky and it does this and we can be more flexible and I can be on harder surfaces,” or whatever this is. And so, when you look at that, every person that you’re looking at, yourself as a brand or an agency has to look at this and say, “Okay.” If I have a budget of $5,000, let’s say per influencer and so, I send it to this influencer and I say, “Hey, Jennifer, what are you willing to do for $5,000? And this is our product. It’s a patented flying yoga mat,” whatever it is.
“What would you be willing to do for these $5,000?” And she says, “Well, I’d be willing to, I’ve got a good following on YouTube. It’s 20,000 people. I’d be willing to do an unboxing. I’d also write an article about it. My blog is a domain of 30, 35. So, you might be able to get some traction there. If we use these certain keywords, then I’m going to do three Instagram stories. And then I’m also going to go ahead and put up a post and then I’ll also blah, blah, blah, blah, blah.” So, what they’re doing is they’re putting together, an individual strategy for your product, with their audience.
And you have, as an agency or the brand, look at that and go, “Yeah, I think that makes sense because I think there’s tons of value because, once again, we’re doing 10 different things for that price point.” And then it’s just figuring that out. So, it really comes down to, “Do you feel like it’s a good deal?” You as an agency or you as a brand, when you look at that and go, “Yeah, that does make sense to me. I think $5,000 for those 10 things, because it’s going to take them three days to do it.”
And once again, it’s not just focusing on just one medium or one post. It’s this overall frequency of like their followers are on different platforms, whether it be Instagram or YouTube, they see this and they see that Jennifer has been talking about this brand new yoga mat. Then you have a situation where there’s a higher likelihood of people going to purchase, but it comes down to the KPIs and your goals. So, you as a brand or agency need to know what those KPIs and goals are and, “Hey, for that $5,000, this is what I’m looking to do.” Whether it’s sales or impressions. And then how do you measure that?
So, there are a million people doing yoga poses on Instagram to stick with your example, how do I know that Jennifer is a better influencer than Babbette? Is it how quickly she responds to posts? Is it the kinds of questions people ask? Like, how do I compare and contrast between Jennifer and Babbette?
Yeah. I mean, that’s a great question. I think it really comes down to, once again, looking at follower count is one of thing that we look at. We look at overall engagement. So, if something gets posted and she gets 10,000 likes, but nobody ever writes a comment, to me that something fishy is going on there. So, we look at engagement. What you really want to do is actually look at their profiles. So, let’s say you want to work with 15 Instagram influencers in the yoga space. So, my team or your team, or whoever would go and pull that list, let’s say it’s a hundred people. I go and do the eyeball test. So, my team will go and put it in the Excel spreadsheet or softwares, whatever that is. “Hey, this is what we’re looking at. We’re going to have this. We have your Instagram profile.” We have their name whether Gmail account, whatever this is, all this information, what their engagement rate is.
We look at all these numbers and then what we do from there is we’re going to say, “Okay, looking at these, out of these hundred, it looks like these 25 or these 40,” whatever the number is, “Have the highest engagement rate. They might be good.” I actually go and look at the profiles. I’ll go over with the brand or agency and say, “Hey, these are the ones that we think could move the needle.” And then we actually do interviews. So, that’s going to be the big differentiator is that some people just look at them and say, “Okay, great. Let’s send them some free product and let’s see what happens.” Not when we do the campaigns. When we do the campaigns, we actually want to go and interview the influencer and then also look at their profile and see if they’ve done 500 sponsorship with yoga mats.
And that doesn’t make sense for us to move forward. So, there is some manual labor that goes in there. And I think a lot of people assume, once again, they look at follower accounts, they’ve got a hundred thousand. They’re willing to do it for $500. So, let’s just send them some free product and see what happens. That’s not the best way of going about things because you need to make sure you have a good brief in place.
Then you need to make sure you have an understanding and the interviews with the influencers for me, because the brand or agency should be looking for a longer term relationship with these influencers. Because like anything else, some of them are responsible. Some of them do their work on time. Some of them don’t. You need to find great influencers and having that conversation and saying, “Hey, what do you know about XYZ, yoga company?” “Well, I do know that you guys have been around for 15 years and that you guys give 15% back to this nonprofit, which I’m a big fan of. I actually have one of your yoga’s products that I’ve used in the past, and I’m a huge fan.”
Great. That’s an influencer I want to work with, as opposed to that influencer says, “Hey, do you have any questions about the company you’d be working for?” “I just want to know when we get paid.” We can figure that out. So, the overall intent right there, you’re going, “Okay.” “I’m looking for any reason,” if I’m a brand or an agency, “To not work with an influencer,” because there’s thousands of them, millions potentially. It depends on your niche. So, we go through that whole process and it’s also nice to have that conversation with them. Once again, that kind of belly belly conversation because most brands don’t do that.
They don’t develop that deeper relationship because if things go well with that influencer, you want to pull them into your web and have them be an ambassador and have them be a part of your program. So, you guys can grow your business together because that’s how things really happen is when… It’s a frequency thing. Once people talk about your product all day long, over and over and over at certain points, you don’t even have to pay them because they just love your product and you’re sending them free product, or you’re paying them monthly, whatever the terms are to the agreement. That’s when real magic starts to happen.
So, that sounds really labor intensive. And so, help me understand… Because I know one of the things hear from agencies is that they struggle with helping brands understand why there’s an expense to this. Why? Because it does take a lot of time to actually vet the influencers and pick and negotiate the deals and all of that. When you’re working directly with a brand, how do you help them understand the value equation of that extra time that you just described?
Well, that’s the thing, I mean, you hit the nail on the head. Most brands in the U.S. and even internationals, I’ve worked with both, they think that it’s, once again, you look at the follower account and you send them some free product and then magic happens. There’s about 500 steps in the middle of that. Not really 500, but there’s a lot. The idea of this is, there’s just a lot of work that goes into it because once again, you’re looking for the right individuals. I mean, it’s no different than if you go and you put up, “Hey, we’re looking for an SEO person to bring in house.” You put it out, you get 500 resumes. Like you have to go through those resumes. You have to put in that time. So, it’s the same thing with influencers.
Because the idea of this is it’s an AB test. And what I mean by that is you’re hiring influencers, let’s say on YouTube and Instagram. You’re really trying to figure out where the funnel is at. You’re trying to figure out which of these influencers, like if Jennifer moves the needle more than John, then what we want to do is find more people like Jennifer that have an audience like Jennifer, and then go and find those types of individuals. Because the big thing we get is like influencer marketing doesn’t work, we did a campaign on Instagram with two influencers and it didn’t work. And as much as I understand that you think these two influencers represent the whole industry, they don’t. And that’s one of the biggest problems is just because in the past, if I dated a blonde and she burned me and cheated on me, it doesn’t mean that I don’t ever date a blonde again, really, at the end of the day.
So, the analogy is like, “Hey, maybe you’ve tried one piece of influencer marketing, one influencer, but there’s variables too. There’s platforms. There’s the influencer. There’s the content they produce. And there’s also the audience that they have.” So, finding the right influencers is always tactical in the sense that, once again, you’ve got to spend that time. It is labor intensive. And I tell brands like, “Listen, if you’re looking for somebody just to go find followers, that’s not going to be us. For us, we’re really looking to develop relationships. I can send out an email to a thousand influencers that will take your free product all day long and then we can spend the next five weeks chasing them down to try to get a review out of them. And trying to figure out what are the next steps and how are we going to get any kind of leverage from this?”
It needs to be a strategy. It’s not just, “Hey, let’s throw some stuff up on a wall and see what sticks.” It really comes down to. It’s a strategy. This is one piece of your whole marketing matrix of stuff that you’ve put together. And once again, you have to have a strategy behind that. And the strategy should be, “Hey, let’s find the right individuals.” If it’s a timing thing and you just want to get a campaign up in one week, 99% of the time, they’re going to fail because you’re not putting the time into the program. And that’s where brands, I think miss it. They assume that it’s, once again, high follower account, you send them an email. They say, “Yes.” You send them the product. One week later, they do a review and then all of a sudden the money just starts coming in and you have to hire a new accountant to count all the cash.
So, one of the things that you’ve described was this idea of reaching out to an influencer and saying, “Hey, I have X number of dollars. What kind of a program would you put together for those dollars?” So, a couple of questions tied to that. One, should we be super transparent about how much money we have if we are an agency representing a brand? And two, how much of the strategy development in terms of what the influencer is going to do should rest on our shoulders and how much of it should actually be something the influencer comes back to us with as a proposal?
Yeah. So, I think when it comes down to, once again, working with the influencers, what I usually do is I’m very transparent. If you have money, if you have a budget, “Hey, this is what our budget is. And I want to know what you would do for that?” Because you can go back and forth and try to save budget… I mean, a brand or an agency should do and say, “Okay, we have $50,000. We want to work with at least 10 influencers and our budget is right around $4,000 or $5,000,” whatever that number is.
And then you go and let these individuals or let these influencers put together a plan. What you can say as a brand or an agency, you can go in and say, “Hey, in the past we worked with Jennifer and these are the six things, seven things that Jennifer did and we saw great successes with that kind of a mix, or putting some kind of a mix of that. We’ve seen some good successes with that, but knowing your audience, where do you think that we could get the most leverage and what would you be willing to do for this amount?”
Because you have to realize if the influencers are producing great content and they’re putting out all kinds of good stuff, they’re probably getting pitched by a lot of brands. And so, there becomes a situation, if I get pitched 10 times in a week and it takes me 10 emails to figure out what that agency or brand wants, and that’s a hundred emails, next month, or next week, I’m going to get another a hundred emails and then I get another a hundred emails.
So, it becomes a situation where trying to manage this… If I’m an influencer, I want you just to shoot me straight, like say, “Hey, this is our budget. This is what we’re looking to do. These are the influencers we’ve worked with in the past. We think you’re a good fit because of X, Y, Z. We’ve vetted you. And this is what I think we need to do to move forward.” Now the influencer can read it and go, “Hey, this makes sense. Yes, they have a budget. This is the influencers they’ve worked with in the past. It looks like they had some good traction there, and this is what they’re willing to do. Hey, we’re willing to pay you, but we’re also willing to do an affiliate program or no, we’re all an affiliate program and our affiliates are making an average of $5,000 a month. Let me show you why that is.”
Because influencers are also looking for a reason not to work with a brand. And if you lay it all out there and just say, “Hey, here goes to the deal. We don’t need to dance around this whole thing. Let me tell you what we’re offering and what we’re looking for.” And here goes another side of it, is if you are a brand or an agency and you don’t have a huge budget, that can be okay as well. What we have to do is a value trade. So, we go, “Hey, I don’t have a crazy budget. But what I do have is I have a videographer and I have a photographer. And if you’d be willing to take time on a Tuesday morning, when you free two hours, we’ll produce this content for you. This content you can use on your social media, and we’ll go ahead and make an affiliate page or something like that so you can generate some revenue from it.”
And now the influencer goes, “Okay, I’m not having to use my editor. I’m not having to use my photographer. I’m not having to put in any work other than some pictures. They’ll put the program together.” And then the brand or agency goes, “Hey, we’ll also show you how to market it so that you market it correctly.” So, once again, we can get some revenue generated for you. “Hey, what would you want to make from this monthly?” “Well, I’d love to make at least $500.” “Great. Let’s make that the goal and let’s work on this thing together.”
So, as I’m listening to you talk, I’m thinking about most of these people are independent. I mean, the Oprah’s of the world obviously have representation, but Jennifer, the yoga lady probably does not. She’s probably doing this herself. So, what should we as agencies be thinking about in terms of negotiating within the contract? What is reasonable? What is cover our ass to have in the contract? What do we need to do to protect our clients and also acknowledging that this is a little bit of the wild, wild West?
I mean, that’s why you want to do the interview with the influencers because you kind of get an idea of… You have an interview with them at 8:00 and they get on at 8:15 or they send you an email last minute in [inaudible 00:31:00]. I mean, these are all things we look at. One of the things you have to do is you have to put together what we call an SOW or a service of work, or it’s also a brief. [inaudible 00:31:09] saying, “Hey, listen, these are the hashtags we’re going to use. This is a step that you’ve agreed to. We would like to start the content on July 29th. This is what we’re looking at. First payment will be sent out, 50% up front, which will be sent on the 15th.” Very clear terms because what happens is… And also when you talk about, when we put this together it’s also about what your goals are and your KPIs like, “Hey, this is what we’re looking to get out of this investment.”
That way you have very clear terms. Like if you and I were to work together and we’re going to work together for a year, sending three emails back and forth, doesn’t make it a valid contract. We should have our terms of like, “Who’s going to be doing what, and who’s going to be doing when and when everything’s going to get paid and how is this going to work this way.” I mean, my contracts are like eight pages. The idea that is you have to cover yourself from all angles. Another thing that agencies and brands have to look at with influencers and influencers have to think about it as well is who has the rights to the collateral, to the pictures and the video and where can they use that? So, if I’m a brand, I want to be able to use this on my website because eight years ago, it’s you just put up a picture and it was what it was and you generate some sales.
These days, you have to figure out how you’re going to use that piece of content and do some PPC, or put it on your website or put it on a brochure. So, who owns the rights to those pictures? And you need to include that in your contract. You need to tell the influencer, “Hey, I’m paying you $5,000 to produce these 10 pieces of content. And I’m also going to use this content.” It also can be a benefit to the influencer. I’m going to take your pictures and stuff and we plan to use it for a PPC campaign, which will help promote you further because it’s going to tie you back to our brand and that’s going to help you get more followers. Once again, that can be a value trade that you can put in contract.
So, not only is my scope of work on my contract, including the deliverables, who’s going to do what, when, but it’s also about asset ownership and copyright and all of that sort of thing.
For sure. Absolutely. Because you want to have clear terms. Because once again, one of the issues why influencer marketing doesn’t work it’s because of communication. The reason why most things don’t work, relationship, anything, it usually comes down to communication. So, we can have a good… But the issue is this, the reason why I do so much education is most of the time brands don’t and agencies don’t know what to ask for. And the high percentage of the time influencers don’t know what to ask for or what to put there.
So, they’re always like, it’s just weird like, it’s like being at like a high school dance or maybe like a junior high dance. You have the guys and girls want to dance with each other, but they’re like, “I just don’t know how to do this. Like where do I put my hands? What do I do? Do I look in the eyes? Do I not?” It’s this weird deal. And so, I’m the counselor who says, “Hey, it’s okay. You guys can dance. Just don’t go too close. Let me help you guys try to work this thing out.” I know it might be a terrible analogy, but you get my point.
Yeah. So, what’s a reasonable period of time for one of these scopes of work or contracts? Is it typical to try it for three months and then have the opportunity to renew? I mean, I can’t imagine you have a lot of results in a month, so what’s the shortest period of time that you would negotiate with an influencer and what’s sort of the norm?
Yes. It really depends on how much content they’re producing for us. But usually it’s at least three to six months because the idea is, once again, just because they post one picture of that bottle of creatine with them working out, it doesn’t mean that your sale is going to go through the roof. And the brands and agencies need to think about, “Okay, how are we going to look at [inaudible 00:34:30] KPIs or key performance indicators or our goals for this and how are we going to know what’s moving the needle?” So, is that going to be… On YouTube, it’s obviously views, but it’s also maybe we have a coupon for Jennifer 25. So, we know that anybody that who comes in up Jennifer 25, those are going to be sales. And we have Jennifer, that’s going to do her campaign on a Wednesday. Nobody else is going to do it [inaudible 00:34:51] our sales went up 20% and we can attribute that back to Jennifer. Or it’s an in-house thing where everybody that comes in and prints out this coupon from Jennifer’s website, then we know that that came in.
So, it’s like, how are you going to attribute this back to that influencer that put the campaign together. Usually, if they’re a good influencer and they’re doing this and they’re doing it full-time and this is their main gig, influencers have other campaigns that they’re doing. So, you can’t assume that because you reached out to them today, they’re going to get back to you tomorrow and they’ll have the content to you by Friday. The idea of this is you’re going to have a little bit of a timeline because assuming that they’re out there… It’s no different if you’re hiring an actor or something like that, you have to assume that probably they might be doing another movie right now. And it can’t be a, “Hey, we need this done in three days,” because they have to produce the content. They have to get the creative together. You guys have to work on some stuff together.
So, three to six months is usually the bare minimum that we go after and we want to produce the content and have a strategy for that. “Hey, we’re going to start off with the blog post and see how well that goes with certain keywords. And then we’re going to do a YouTube video that we can actually tie back into the blog post. And then we’re going to go promote the blog posts and also promote whatever pictures and the unveiling, the opening, whatever this is of that product. It’s that strategy you put together, and then dripping up that content and figuring out, “Hey, we’re going to send it out through our email drip list or drip campaign,” or whatever that is to be able to continue to drive that traffic. And then go to that six months and say, “Okay, let’s look at the results of everything. Let’s see what did well, what didn’t do well, and then reevaluate.”
So, I want to ask you a little bit about managing client and brand expectations around this because this is not buy an ad. As you keep saying, it’s not a do it once and all of a sudden the cash register starts ringing. Let’s take a quick break and let’s talk about that when we come back.
I want to take just a quick second and remind you that if you head over to the agencymanagementinstitute.com website, one of the things you’ll find there in our effort to support agency owners is some on-demand training. We know that many of you want to attend our live workshops, but for some reason that doesn’t work out, maybe you’re outside of the U.S. or maybe you have little kids and it’s tough to travel, or it may just be that our calendar and your calendar do not align.
And so, what we’ve done is we now have three courses that we either regularly or occasionally offer as a live workshop. And now we’ve got them in an on-demand training version. So, you can now find a BizDev workshop, our agency new business blueprint course. You can also find our AE bootcamp. And our most recent addition is the money matters workshop. So, all of those are available. If you head over to the website and you go under training, you will see on demand training under that tab. And you can check out all three of those courses. And obviously those are courses that you can take at your leisure. You can get through the whole thing in a weekend, which I don’t recommend, or you can space it out over time. You can do it individually. You can do it with your leadership team, whatever serves your agency best.
We just want to make sure that you know that they are there and available for you. All right, let’s get back to the episode. All right. We are back and we are talking about influencer marketing. And right before the break I was asking or suggested that I was going to ask about client expectations. So, in this instant everything world that we live, influencer marketing sounds like it’s a little more crackpot esque, if you will. And then it takes a little while for things to get cooking. I guess, we don’t call them crackpots, [inaudible 00:38:23] slow cookers. It takes a little while for this to get going and for the influencer to start to drive traffic or whatever the KPIs are, how do you help brands manage expectations around that and be patient?
Yeah. I mean, I think that’s really the key. If I’m going to be working with a brand or even helping with an agency, I always have qualifying questions to look at expectation. What do they expect? “Hey, we expect to spend $10,000 and make a million.” Well, that’s probably not realistic. Of course we would love for that to happen, but let’s be realistic about this. So, I always have that conversation. Once again, communication is key in anything you do, not just an influencer marketing. For us, it’s I go, “Hey, what are you guys looking to spend on this? These are the certain things that could happen, but we’re not going to have results within the first two weeks, maybe not within the first month. The idea of this is we’re going to look at this at three months, and then we’re looking at it at six months and figure out where what’s moving the needle.”
The idea is to do 10, 15, 20 different campaigns with different influencers on different platforms. Hopefully they have different profiles. And then seeing once again, what moves the needle. It comes down to, it’s no different than PPC or SEO. It’s like, “Hey, we go do the keywords or we go after a certain audience, we re-evaluate, we put a hundred bucks behind it on PPC. And we can tell that this one had a 10% close ratio. This one had five. Well, great. We put more money behind the 10%.” So, it’s the same thing with SEO. We go after a certain keywords. And we find out after three months, we look and we say, “This one is on page one, this one’s on page seven so we should put more links and stuff behind this one.”
So, influencer marketing is no different. There’s different influencers. There’s different platforms. There’s different audiences and there’s different messaging. So, all of those are variables. If you can find somebody that knocks it out of the park for three of those or four of those, and for every dollar, you’re spending $2 or for every dollar you’re spending, you’re making $2, then that’s great. And then you would look at that and you’re going, “I can’t put enough money behind that.” But once again, just because you worked with one YouTube star on YouTube and you spent 10 grand and it didn’t go well, that doesn’t mean that YouTube doesn’t work or these types of influencers don’t work.
How about B2B? Is this a play for B2B? Especially B2B, that’s either a considered purchase like it’s a bigger ticket item, or maybe it’s not a tangible item, maybe it’s services rather than a product, or is influencer marketing primarily a consumer play?
I mean, right now we’re seeing more B2C stuff, but I do know quite a few individuals that are in the space for the B2B. And you’re going to start seeing more and more of that. There’s like guy Kawasaki and there’s these people in the past that like with Canva and stuff, that there’s been some kind of an influencer play of like, “Hey, they’re influential. Hey, we want them to be on our board. We want them to,” whatever that is, “Promote the product.” Or bring them on as, either an investor or somebody that, actually buys the company. Influencer marketing is going to be no different. Like [inaudible 00:41:17], as an example has all kinds of sponsorships.
And it’s the same thing with influencer marketing. And that’s more of a B2B type thing, depending on obviously, the service. But, you’re going to see a lot more of that. You’re going to see a lot more of these, like these B2B, these individuals that actually only work with other businesses. And you’ll start seeing more of these like influencer type things will be like sponsorships or endorsements or something like that. But it is harder because it’s a little hard to track the ROI. I mean, because influencer marketing, once again, it’s not a, “Hey, [inaudible 00:41:49] PPC, you spend $1, you either made 75 cents or you made nothing,” or you, whatever. It’s very easy. It’s very like… The next day you should know. With this, it’s a little bit of a longer term play. But we’ve seen some good stuff with B2B as well. I mean, I’ve seen some good campaigns that have gone live with that. That, once again, just depends on what your goals are with it.
So, one of the challenges I think for many agencies is finding the right influencers as we’ve talked about before. And there are a ton of tools out there, websites or whatever, where I can pick the category, let’s stick with yoga and I can plug that in and I’m going to get a database of influencers. Are those tools effective? Are they good? I’m sure agencies are doing it because it’s a time-saver. But at the end of the day, is that the way I should find them? Or am I really going to Instagram or YouTube or whatever and searching for yogi and then starting from there?
Yeah. I would always recommend using software only because I grew up not having software. So, I grew up grinding it out, just going and searching for these individuals. I know how time intensive that is. So, software is awesome in the sense that there’s softwares, you can go and you can pull a list of whatever, a hundred or thousand people, you can put in certain parameters. “I’m looking for yoga instructors in Los Angeles that have a follower count of 10,000 to 25,000.” Let’s say that’s the sweet spot. So, then we go and find that we can pull these lists, but nothing is going to beat the eyeball test. I mean, just nothing [crosstalk 00:43:18] you’re got to go and you take-
For you that tool is a starting point?
But you still have to do the legwork. Is there a tool that you think is significantly better than any other?
I mean, there’s a lot of tools. In the 30 minutes that we’ve talked in this podcast, there’s probably a brand new tool that just came out. There’s always more tools. We’ve used HypeAuditor. It’s one that we’ve used because it talks about engage fake followers and stuff like that. Just as a variable to take a look at. I mean, GRIN we’ve used in the past. AspireIQ is another one. Neoreach has a great platform in finding some stuff. These are all different platforms that once again, they’re softwares.
So, they’re phenomenal in the sense that they can help you go out and there are just curating all this information. They can pull it into a funnel and, once again, you can filter down and figure out exactly what you’re looking for, but nothing beats, once again, that eyeball test. So, if you have these 50 influencers, these listed 50 influencers, go and look up their profile, spend three minutes on each profile. Go and look at it and say, “Oh, it looks like they have an engagement rate of 5%. But when I look at their profile, the engagement is emojis. It’s 50 emojis in a row. That’s not engagement. There is something funny going on there.”
So, the software doesn’t detect that because software goes, “Well, somebody is responding, but the software doesn’t know that it’s an emoji.” So, I mean, if you walk into my restaurant and I just give you a sign, like a heart sign, that’s not engagement. That’s a little weird, actually, if you came to my restaurant and I did that. But the point being is you’re looking for true engagement, you’re looking for the conversations, you’re looking for what kind of content they’re producing. You want to look at it like, “Hey, if they’ve worked with 27 other yoga companies in the last month and they’re promoting something every single day. Well, their audience is going to get to a point like-
They have fatigue.
Yeah. Like I know I’m tired like, “What do you really like? Because last week it was Adidas and this week it’s Nike and the next week it’s K Swiss. I’m confused on really if you like this? Or if the engagement… Like, if the money is just getting better for each of your promotions.” So, that’s important to take a look at, you can’t see that through software.
That’s a great point. So, what about exclusivity. Is that reasonable to ask for? Is it customary? Do I only get exclusivity if I have a big bag of money? What’s the norm around that? Because to your point, if you’re Adidas and last week they promoted Nike and next week it’s going to be some other products, it’s not so exciting, right?
Yeah. I mean, the thing is, everything’s negotiable. So, this is where brands and agencies, if you know what to negotiate, you can say, “Hey, listen, we’re looking to get a three months exclusive agreement with you because we’re going to be working for three months, or we are going to work with you for three months and you can’t mention anybody else in the sneaker industry for six months.” And the influencer can say, “That’s great.” But if you’re coming in and offer them one free pair of shoes and they work with big brands, they’re probably not going to agree to that. They’re going to say, “Well, I’m going to wait for a bigger bag to come along or I really like Nike’s better than yours. And I’m going to go talk to Nike and see what Nike can do for me.”
So, once again, everything’s negotiable. I don’t think you want it to be the Verizon, Sprint thing. It wasn’t the Verizon guy that switched over to Sprint. It was like his contract, it must’ve been up like two years in like four minutes or something. And then all of a sudden his agent I’m sure reached out to Sprint and Sprint says, “Hey, we’ll take him.” I mean, that guy should have been on lockdown for 10 years knowing that he was the face of the company. So, there’s mistakes like that where you, once again, if you negotiate with the influencer and they’re cool with it, that’s awesome. But you also have to realize that just because you’re giving them one free, t-shirt a month, that’s worth $20 that they’re probably not going to agree to, “I’m not going to work with any other apparel companies for a year because you gave me a free $20 t-shirt.” Once again, you can negotiate it, that’s awesome, but it needs to be realistic as well.
So, let’s talk a little bit about that in terms of the negotiating and the mistakes that get made, what are some of the mistakes that you see, again, whether it’s your courses or whatever it is. I know you’re bumping into brands that have worked with agencies that hasn’t gone well or whatever. What are the common mistakes that are being made by agencies today that we can avoid?
Yeah. I think the biggest thing is really the contracts is not having the terms in place of exactly what you should negotiate with the influencer in the contract, because really at the end of day, if you’re an agency, you’ve got to cover the brand’s butt and cover your butt as well. So, like with FTC and make sure that there’s hashtag ad and all this other fun stuff that needs to be included with the ads. The brand is going to come back to you, the agency and the agency needs to make sure that… They don’t care that an influencer didn’t do something on time. The brand is going to be mad at you, the agency. Like they’re not going to hold… So, you always have to be on your P’s and Q’s, and that’s when I say, when I interview influencers and if I find a great influencer and I can use them for multiple campaigns, because I know they’re responsible. I know when they say they’re going to do something, they do. They talk about the content. If they say, “This can be done on the 20th.” They get it done on the 18th.
Somebody that takes the business very seriously, for me, then I want to work with those types of influencers because I know that they do what they say they’re going to do. Because once again, if you work with one bad influencer, it doesn’t mean all influencers are bad. And usually it’s a communication thing. It’s not that an influencer doesn’t want to perform for you, it’s just that communication didn’t happen and you didn’t come to correct terms. You didn’t know what the terms were. So, I think the biggest thing that I see once again is the contracts. Those aren’t negotiated correctly. And then really not understanding how to find the right influencer. Like not understanding what to look for. Like, just because you pull influencers and they’re all yogis and they’re in Los Angeles area. And then you send out an email to them, to a thousand of them to see who responds, that’s very blanketed like, “Let’s just see what happens.”
Once again, I’ll use the analogy of blondes. And let’s say I’m single and I want to date blondes. And I just send out… I go to a dating profile. I’m like, I just click, all I want is blondes. And I sent out a message. “Hi, my name is Shane. I have a million dollars in my bank account. I have a boat.” And I sent out to a million blondes. I’m obviously going to get some people to respond, but I’d probably want to dig a little deeper than just blonde hair. “Hey, do you want to have kids? Do you have kids? Where do you live? Are you willing to relocate?” Whatever this is, you have to dig deeper. So, if you just are putting stuff on a wall and seeing what sticks, that’s the kind of quality you’re going to get, and it’s going to be a lot harder to sip through the good stuff and find the… Sipping the bad stuff and find the good stuff.
So, from an agency perspective, I think one of the things that makes influencer marketing challenging is being able to demonstrate a true ROI. So, how are some of the ways that you calculate through and you define… So, you set a target ROI goals, but then what are some of the ways that you demonstrate to a client that this actually is worth the money?
Yeah. First, when I talk with a client, I go, “What are your goals? What are your KPIs? What are you looking for? What would move the needle for you or for your boss or for your board or whatever?” And they say, “Well, it always comes down to sales. We want to get more sales. So, it’s not a problem.” So, now we look at that as like sales, being the main thing, and then, sediment brand awareness and all this other stuff. It plays into that because everybody likes to see more people are talking favorably about your brand, but if it’s those that you care about, then we to figure out how are we going to attribute this back to a sale? So, with Zoe’s campaigns as an example, one of the things that was awesome, but drove me nuts is that we would go and put out like 10 influencers in a day, we would put out all the content and Zoe for every $1 was making $4, which is awesome.
But the problem is I have 10 campaigns going out and I don’t know which influencer is moving the needle. And that’s usually the biggest problem with marketing is like, “I know that I’m spending money. I know things are working. I just don’t know what’s working.” And so, it’s like, where do I… I want to take 50% from here and put it into the 50% over here that’s working but I don’t know that. So, Zoe was high fiving me going, “God, this is awesome.” And me, deep down inside, I’m like, “God, I want to know who’s moving the needle.” So, what we would do is we would do them on individual days. So, we’d have one influencer doing on a Tuesday. And if we saw an influx of sales, we’d have to… For the most part attributed back to that, we used coupon codes.
You know, Jennifer, 25, we would drive into affiliate pages. So, if there was somebody that’s done some stuff with us and either they’ve moved the needle in the past or we say, “Hey, let’s give it a chance because it’s a templated page. We can add Jennifer’s picture. And then Jennifer is willing to put that affiliate link on her Instagram link.” You know, there’s only one place to put a link. “And she’s wanting to do that for seven days and see what happens. And then she’s going to produce the content. And then we’ll see… Because it goes directly to that affiliate page. We’ll know that Jennifer was the one that drove those sales. And so, we pay Jennifer the thousand bucks and then she gets $1,500 in sales. Then we know that there’s some potential there. Now, what do we need to do to produce more content and to help educate Jennifer, how to produce better content and really foster that relationship.”
And that’s one of the ways. There’s a lot of advanced stuff that you can do as well. Like when people are coming to certain little locations and there’s like, it’s RFDs. Anyways, it’s like where people can figure out when somebody phone gets to a certain location because [crosstalk 00:52:12] And so, there’s some really advanced-
Geo-fencing kind of stuff.
Yeah, geo-fencing and stuff like that can really hone people in. That’s a lot of advanced stuff that, I mean, once again, it can do when you can take a look at that. But really the easiest is affiliate type stuff, coupon codes, anything like that, that you [inaudible 00:52:30] attribute back to a specific influencer and be able to say, “Hey, they’ve moved the needle on the other ones. So, this is the reason why these sales came in for that campaign.”
So, again, when I think about sort of more considered purchases, so for example, let’s say an agency has a tractor client. So, that’s a quarter of a million to a million dollars. I don’t know. I haven’t bought a tractor lately, but I’m assuming it’s super expensive. So, obviously there are going to be a lot of steps along the way. So, what you’re saying is really, you have to be able to predetermine the path that you want the audience to take, and how are you going to measure and track that path, whether it is landing pages or requests for more information or an actual sale, and that you have to build that separately for each influencer you’re working with so you know that Babbette is the one that’s driving sales, 25% more than Jennifer is. So, therefore, I want to ramp up my efforts with that Babbette, right?
Yeah. I mean, tractors being an example. It’s a longer sale cycle. Obviously, it becomes a little more tricky and if it’s the high dollar amounts but I have clients say, for them, it’s like, “All we need to do is sell one tractor because our campaign is only worth 25,000 and we have to sell one tractor 250,000.” But what I always tell them is like, “Hey, not only that one sale, but now how are you going to use this collateral for a PPC or for a flyer or for your website to say XYZ football player loves our tractors when he goes back to his home country and builds his great vineyards,” or whatever it is.
And so, now we can attribute that back to that and go, okay, now he’s talking about when every time he’s on his tractor, people will remember, “Hey, shout out to blah, blah, blah, for, once again, with this great tractor, that’s gotten me to do this, this, this, and this.” And then you build that story out of that tractor and how he got it. And all this is kind of like build something behind that so that it’s not a, “Hey, go buy a tractor. They’re super awesome. Go talk to John.” Six, seven years ago, that would work. Now, it’s like, you have to build something behind that. So, there’s got to be a campaign, something behind that, a little bit more juice.
So, you said something that I… I know we’re getting close to the end of our conversation, but you said something that I want to dig into a little bit. You talked a little bit, or you inferred that it’s okay or maybe even good to coach the influencer on how to create better content or to do things in a certain way. Is that well-received? Is that frowned upon? Is that a role?
Yeah. I mean, that’s a great question. So, you have to realize that most influencers aren’t marketers. So, the thing is, is they’ve built up an audience. They maybe understand social media or Instagram or something, but they’re not always marketers. Now they probably have a better idea than you do for the most part of what kind of content resonates well with their audience, because they know, “Hey, when I do video, I get 10 times more engagement. Or if I do this type of stuff, I have a puppy in the picture, then I get 20 times.” So, there is a delicate balance of giving a brief and saying, “This is what we would like for you to do or what we recommend but we’d also like for you to be creative. Some of the influencers, have seen success by doing this. But once again, maybe you have something that’s a little outside of the box that nobody’s done, or maybe that’s only exclusive to your audience. You as a brand or an agency should be open to that as well.”
I mean, there’s a perfume company. I’m not going to say their name, but their brief was like, “You have to have the perfume next to your face, this far away, you have to be able to see the lettering. And it has to be black in the background. You have to like, have a mustache.” Literally it was like… I was looking at this brief and I was like, “So, every picture is exactly the same.” And I don’t know if that’s working for them. Needless to say, we didn’t move forward with the campaign. I didn’t, my team didn’t. But it was so specific that I’m like, I just don’t… I mean, the idea of working with influencers is that everybody has their way that they do content, it’s kind of unique in the way that they do. So, we want to tap into that.
Be as authentic and genuine, not [crosstalk 00:56:33]
That’s the idea. You want to just say, “Hey, listen, I’m going to put this out there, but I’ve got kind of a weird twist that I was thinking about doing this, this, this, and this. What do you guys think about that?” And you’re like, “That’s a little creative, and I think that’s outside of the box. And that resonates well with your audience, because you do that kind of stuff. You have that shock value and stuff that you put together. So, let’s give it a try. Let’s see what happens there.”
So, once again, a brief is just to give general guidelines, but you should let the influencer… Assuming they know what they’re doing. But if they go, “Hey, I’m going to do this thing where I’m running naked on a rhinoceros.” And this is something like, “Well, it’s a little out. I don’t know if that’s really going to work with our audience. I like the shock value of that, but I just don’t know. Let’s let’s maybe put a bathing suit on.” They’re like, “Okay. That’s great.”
Maybe not a rhino, right?
Maybe not. Rhinos are very difficult to ride.
Maybe we get on a horse.
There we go. Horses are way better than rhinos because then you won’t get… Peter wouldn’t be involved. I don’t think as much [inaudible 00:57:25] ride a rhino. But anyways, you get my point. The idea is like, you let them come up with creative stuff and then you guys can kind of mull it over and think about it and say, “We really like this.” But be open to suggestions outside of what you’re typically seeing, because that’s the reason you’re hiring that person because they understand that hopefully the creative stuff it’s going to work well with our audience.
And I would also think part of our job is, for example, if I have a super conservative brand, I’m probably not going to an influencer who has clearly indicated to me that they like to have naked pictures out on wild animals. I’m not going to be like, well, maybe this is not a good fit for…
And that software will pull that person to say, “This is a good fit.” And then the eyeball test will tell me, “Not a good fit.” So, that’s where you look at that and you say, “Okay, I know the brand is extremely conservative and if they’re talking about political stuff or abortion or anything that’s outside of the spectrum, the brand’s going to be like, no way.” You don’t want to send this to the brand and go, “Here goes a hundred people, take a look at them.” And they’re like, “This person is naked on a rhino. This person was like middle fingers in the screen. This person was talking about abortion.” You’re like, “None of those people fit what we’ve just talked about.” And that software would give you great information, but nothing beats that eyeball test of like, “Oh man, we were going to prove him. He had great engagement, but he’s talking too much about X, Y, Z. That’s not going to work for our brand.”
Yeah. So, as we sort of wrap up, one of the things I’ve been thinking about since you started talking is, it’s fascinating to me… And we have agencies that inside the AMI ecosystem, that all they do is influencer marketing. And they are always struggling with helping brands understand the time investment and the costs, which I’m sure you get all the time. But on the surface, it seems simple. I get somebody who’s already got an audience to talk about your product or service. Well, all of that works out great for everybody, but strategy behind it is multilayered and complicated. And the contractual side of it also is Uber complicated. I’m sure. And that’s probably a place where agencies make a ton of mistakes and probably put themselves and their brands at risk sometimes.
As you look down the road at this, and you were looking at this already complicated situation, and you’ve got influencers who are super sophisticated, and you also have influences who are not, I mean, as you’ve said, they’re not marketers, maybe they haven’t done this for a while. You might be their first brand. What do you think the future holds for influencer marketing? How will this evolve do you think?
Well, I mean, God willing, with us, the education side of things that we’re trying to do, once again, we’re trying to get people on the same track together. So, I see this thing evolving. I think brands are going to become more educated. I think they should become more educated and it’s same thing with agencies as well. I mean, it’s not just finding the influencer of the high follower count and having them post something and then seeing what happens. It doesn’t work anymore. Eight, seven years ago that worked. It was fine. We did it all day long. Before and after pictures and sales went through the roof but you didn’t have all these influencers. You didn’t have all these brands trying to jump in there. It becomes a little bit of a, not saturated, but the cool part about influencer marketing is that there’s a million influencers, which is scary, but it’s also super awesome.
And I did a keynote speech in Mexico city with a guy that all he does is pink products. Like his whole Instagram is pink. His car’s pink, his shoes are pink. His hat was pink, pink, pink, pink. And so, you’d think like he works with Pepto Bismol. I mean, he works with just pink companies. And so, that’s what was cool about and crazy. [inaudible 01:01:02] It makes total sense. Once again, millions of people, so it’s a little scary, but you also can really find that one person and you’re like, “Oh my God, we have a pink product. He promotes pink stuff. He has a pink audience, like Rosa wine. It doesn’t get any better than this.” So, that’s what’s, like I said, it’s still a daunting task. And I think over time, what will happen is brands will get more educated, influencers will get more educated, and then they’re going to start having better conversations and better understanding.
Because once again, the communication is the issue of like when things don’t work out. I’m not saying every influencer campaign, if you have great communication it works out, but you’re more likely to have a successful campaign, if you’re on the same page, understand what the goals are. The influencer knows what the KPIs are. From this campaign, we want at least $10,000 in sales. You know you’ve done half the campaign. You’re at $6,000. Things are looking good. Now, you’re at 3000. So, you’ve got to figure out how you’ll get a little more creative or you offer the brand a little bit more content to be able to hit their goal. Because now I know what my goal is as an influencer. And then I can make sure that I hit those goals.
So, once again, I think it’s going to come down to communication. You’re also going to find a lot more agencies that are going to niche down, that are going to have their 15 travel influencers that they work with. And then they’re going to go pitch brands and say, “We have these 15 influencers. We’ve done 20 campaigns with them.” Almost like some kind of a music industry would pick on an artist and say, “Hey, do you want to have a concert and here is our artists.” They’re going to start taking these individuals in and niching down and having exclusive relationships with them. It’s just going to become more like agency based, where you’re going to go into more niche based type stuff.
And I think people are just going to get more educated on how to do the programs and have… Like I said, we’re putting out tons of content and try to educate people and now we’re going to have the campaigns in the course. That’s going to like, really, really… So, you go through the course and it’s like a brand should say, “Hey, he went through Shane’s course. Or she went through Shane’s course. Then we know they’re going to be good because they understand this.” Or an influencer can go, “Hey, they hired Shane for this over here.” And so, the brand’s going to understand that it takes three to six months. It’s not going to happen by Saturday that we’re going to have tons of sales. So, it’s just an education thing.
Yeah. It’s interesting that you say that. I’ve got a couple of agencies inside our networks that have done exactly what you’ve said, which is they built this cadre of influencers and their agency is very narrowly niche and so are the influencers. And so, now they’re packaging that group of influencers and selling it to brands as, “Look, if you want these 10 Uber influencers in this space, we’re the conduit to that.”
And that’s awesome. What brands have to realize is that some brands are like, “Well, I don’t want to work with an agency because I can save on 20% commission or whatever it is.” The problem with that is that if I have the relationship with the influencer, I can get a better deal with the influencer because we’ve already worked together. They know that I pay on time. They know that I’m very clear about my brief. They know that we put campaigns together. So, it’s not always a money thing. You’re buying into a relationship. So, that’s why brands should think about working with agencies, because they already have that established relationship. They already have the rapport. They already know how to work together because… One of the biggest things in the beginning is understanding the influencer, are they cool or are they crazy, are they going to get their stuff done on time, are they going to get pregnant? It’s like, what is the deal there? There’s a lot of variables. So, consistency is very important.
Yeah. Excellent. This has been fascinating. Thank you for taking the time to have the conversation. If folks want to learn more about your work and where you’re teaching and workshops and all that sort of stuff, where should we point them?
Yeah. Actually I’ll give you my direct email, which is always seems to [inaudible 01:04:28] extremely well after podcast [inaudible 01:04:30] live. I get like 10,000 emails. So, my assistant pulls his [inaudible 01:04:33] out every time. But anyways, my direct email is [email protected] That’s S-H-A-N-E @shanebarker. That’s B-A-R-K-E-R.com. My website is shanebarker.com. You can find me on Instagram @shanebarker. Twitter @shane_barker. Then in LinkedIn it’s just Shane Barker. So, you can reach out to me at anytime. I would sign up for my newsletter. That’s when we send out a lot of stuff about either workshops that I’m doing. I work personally with brands and then I have my, How to Be an Influencer course that will be up here in the next few weeks for influencers that want to better understand how to work with brands.
Awesome. Thank you very much for sharing your expertise and your experiences. I know a lot of people were probably rapidly taking notes while they were on the treadmill while we were chatting. So, I appreciate it.
Awesome. Drew, thank you so much for having me on the show, man.
You bet. All right, guys, this wraps up another episode of Build a Better Agency. And as always, I think this episode gave you a lot to think about. If you’re doing this kind of work, I want you to go back and look at your contracts and make sure that you’ve got everything buttoned up. If you’re thinking about doing it and you’re starting to build out estimates, clearly this is labor intensive on the front end. So, make sure you’re baking that in, but I think Shane gave you a lot of very actionable, tangible things to be thinking about and taking into this area if this is one of the things you want to offer clients. So, put this to good use and come on back next week for another episode. And in the meantime, you can track me down at [email protected] I’ll see you next week. Thanks.
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